Naam

Opera glasses was one of the byproducts of a long line of inventions. It started during 1608 with the Dutch optician Hans Lipperhey manufacturing binoculars comprising of two twin telescopes connected by a centerpiece. They had an impressive magnification ability of x3. Not to be left behind the Italian inventor Galileo Galilee within a year dramatically improved the design of telescopes, allowing a magnification of x30.

Opera glasses was one of the byproducts of a long line of inventions. It started during 1608 with the Dutch optician Hans Lipperhey manufacturing binoculars comprising of two twin telescopes connected by a centerpiece. They had an impressive magnification ability of x3. Not to be left behind the Italian inventor Galileo Galilee within a year dramatically improved the design of telescopes, allowing a magnification of x30.

Binoculars gave a much wider field of view than telescopes, but since they had 2 convex lenses, the picture that you saw was inverted. It wasn't until 1617 that Anton Schyrle added an additional lens to re-invert the image. In 1758 John Dollond of England invented the achromatic (color free) lens and thereby solved the problem of color distortion.

The next step forward was made when an Italian gunnery officer by the name of Ignazio Porro developed prismatic binoculars during the '50s. These offered an even wider field of vision than earlier binoculars and also a drastically improved magnification ability.

We don't find any mention of opera glasses in the printed media before the 1730 - in London. These rather primitive opera glasses were not binoculars - they were mini-sized Galilean telescopes. People used them for decorative purposes as much as to watch opera. The bodies were mostly highly decorated with numerous gems, enamel, mother of pearl and ivory.

It wasn't until 23 in Vienna that we first find mention of binocular-type opera glasses. These were in fact simply two small telescopes with a bridge connecting them. The telescopes had to be focused individually by extending the tubes.

These very soon became as much a fashion item as an optical instrument. The designs became more elaborate and had to be worked on by painters, goldsmiths and other artists to create the ultimate fashion accessory. Theater goers not only used this to watch the stage, but also to scrutinize other people in the audience - presumably to see who else had opera glasses!

The design was further improved substantially when it became possible to adjust both lenses at the same time using a small wheel in the center. This made opera glasses even more popular and soon everyone who was anyone had to have one. They were highly regarded as gifts - as one can clearly see when you study the inscriptions on many of these glasses dating back to the 17th century.

Although there are nowadays a multitude of different types of opera glasses on the market, they fall into two categories: monocular and binocular. Within those categories you get all the colors of the rainbow and all the styles and materials you can think of. You even get opera glasses with handles and reading lights. One of the more unusual types is one with a jealousy glass - so you can unobtrusively watch someone else in the audience!